By Rosie Sales

The Mikado, one of Gilbert and Sullivan’s favourite operettas, performed by GASP, played to an appreciative sell-out audience at Bembridge Village Hall.

Under David T. Yates’ expert baton, the orchestra set the scene with a lively overture. Directors, John Abraham and Libby Pike, took a creative leap by setting the production in the 1930s, with a striking black and white theme, peppered with vibrant lighting to great effect.

The male chorus opened impressively, harmonies soaring over the music, while the ladies’ chorus added depth, enhancing the production’s accessibility. Debbie Small’s choreography was commendable given the large cast and limited stage space, although some numbers could have been simplified a little.

The principal cast shone. Rob Bingham (Nanki-Poo) and Lucy Hinkley (Yum-Yum) displayed stunning vocal chemistry. Anita Davies, as Katisha, dazzled with her entrance and commanding voice, while Theresa Martin charmed as Pitti-Sing, her performance animated and vocally pure. Their rendition of “Three Little Maids” was a highlight, filled with humour and vitality.

Paul Stevens earned laughs, as Pooh-Bah, for his portrayal of a character overburdened with titles. Rodger Hooper impressed in the title role, while Andrew Jenner’s eccentric Koko, dressed in shower-cap and bath-robe, provided energetic and humorous moments, especially when accompanied by a hand puppet for his solo, “Willow, Tit-Willow”.

The stand-out “Brightly dawns our Wedding day/Madrigal” showcased sublime harmonies from key performers including Pish-Tush, confidently played by Andy Kay. The production was a testament to local theatre’s vibrant spirit, leaving the audience eagerly anticipating their next performance.